Wednesday, June 24, 2009

running?



a sunday morning not long ago i woke at 7:30 am to the sound of a woman wildy cheering people on. interesting i thought and then forgot about it until she started cheering again. and again. so i went outside holding a copy of coffee and took an excellent seat for watching the eugene marathon. my front door was near the 10 mile marker so i could see both the 1/2 marathon runners and the full marathon runners. and i had some friends and some acquaintances go by and wave as i stood there. and i began to wonder why. why would you do that. why would you run over 26 miles. we don't have to run to carry messages any more. running melos is long gone. there are some villages in the world that still use runners but not here. my brother used to run because is was boring and he was constantly working under pressure as a speech writer. but he didn't have to run over 26 miles to bore himself.
could be the endorphines, could be the habit, could be the challenge, could be the mental state it induces. but i am still not sure i get it so i suspect it is one of those things that you have to do to understand.

Saturday, April 25, 2009

my dad



my dad had been the head of a couple of large corporations. he was a smart man. and then he got altzheimers. his memory got elongated and then pretty much destroyed. i used to have him feed the horses with me until he grabbed the electric wire one day.
the last year of his life he talked a lot about horses and water with grand physical gestures included to emphasize his point.
one day he turned to me and clearly said,"none of us know what we are talking about anyway."i thanked him for that insight. and 5 minutes later he turned to me again and clearly stated, "you know, we are all happy we just don't know it".
i don't think his second comment overrode the truth of his first comment. but i do wonder sometimes if any of us really know what we are talking about. for example, there are probably people who still believe the idea of AIDA works. that we think and act so logically that we have awareness, develop interest, then desire and finally take action. more like we have desire, take action and develop a good post rationalization for our behavior. like the horses but i am not sure how much they care about the post rationalization part.

Sunday, March 1, 2009

spreading communication


http://www.youtube.com/watch?v=RNPxIibhcKY
hilarious video about a drunk on a lawn mower.

This viral video sparked a conversation about how communications spreads.

The traditional conceptual model for creating any advertising or marketing communications message is the AIDA Model:

get Attention,
hold Interest,
arouse Desire,
obtain Action.


TV
Newspaper
Radio
PR
Events

Integrated Marketing Communications - trying to get some feedback.
Often there is confusion between technology and relationship.
It’s all about relationships.

The way it should be:
People talking to each other




Tipping Point:
Kinds of people according to Gladwell, who help spread things:
Salespeople – able to persuade people, constantly sell (ideas, opinions, products)
Mavens – possess knowledge, pass it on to others
Connectors – know lots of people, connect


Not so sure this is true. Check Mark Earls – Herd

Communication: Spontaneous order – most of our communication takes place through spontaneous order
Example: Hush Puppie shoes in Soho. Was there really a leader?

Convergence of media that exists
“Convergence of culture” – e.g. Matrix, Survivor – people watching those shows create blogs, “spoilers”

15-18% of Americans have blogs
25% - critics – read blogs

Collectors – RSS feeds
Joiners – Facebook
Spectators – don’t interact, just look
Inactive – don’t care

Main Project:
Make everyone else curious
Think of storyteller
20 min. (at least)
PowerPoint/Keynote OK – as long as it’s only visual
(No words, bullets, etc.)
Nextexit.com
+ a couple of pages with points that you want a take-away to be.

Brianna Pinder
Elena Golovchanskaya
notes from curiosity class

Thursday, February 26, 2009

story telling



We had Mark Lewis come in to the Curiosity class. He has done voice work with Disney for animated movies and you can hear him an number of times at Disneyland in the Pirates of the Caribbean ride. He has also done a lot of other voice work and told stories for pay and for fun in many places around the world.
We wanted him to help students with the ability to present and tell a story.
Some of his points were;

It is important to understand that the story takes place BETWEEN the storyteller and the audience. It “happens in the now.”

What the teller says is heard by all but each individual is going to produce a different image within his/her own mind. This is the beauty of storytelling; it affects us all as a group and as single individuals at the same time.

Mark Lewis’s Tips for performing/presenting
1. BE afraid. Let the fear be a part of you and push you onto the stage instead of fighting it.
2. Once on the stage, ground yourself and BREATHE.
3. Look for the “angel” in the audience, that one person that is landing on your every word. This will capture the attention of others and lead them back to you.
4. Don’t worry about the person giving you the “hairy eye-ball.” You will probably never please them and lose the rest of the audience in the process of trying.
5. Know who the client is and DO NOT focus on them. Engaging everyone else will speak more about you than zoning in on one or a few people.
6. Remember: practice makes PERMANENT. If you practice it wrong, you will perform it wrong. Make sure to rehearse carefully, thoroughly, and correctly.

Friday, February 6, 2009

nyc


been quite cold here in nyc this week. but going to warm up.
every agency person we talked to said it's about digital. not just digital the internet but digital as it impacts the society. not just invading and annoying but adding fun to the environment. like changing colors on a building in tokyo for sony or an audience in a movie theater raising their hands and test driving a mini.
we all probably know these things but the thinking needs to be more expansive so we think in terms of that effect, not just what we know.

Tuesday, January 13, 2009

myth


Notes for Prof. Koranda’s Curiosity Class
A.Mawell

Essential to the subject of curiosity is learning about different ways we come to know or understand things. (In the subject area of Philosophy, epistemology is the study of the ways we go about knowing things and the ways we validate what we know.)

Most often what you know and what I know is based upon:
• Your own nature (your predisposition to specific preferences for gathering information—E.g., some of us prefer to survey a situation and understand what is going on through our intuition; others prefer to survey the same situation and learn what is happening through keen observation. These are the two extreme examples…they’re others in the middle.)

The relevant question today is: in what ways is myth a way of knowing?

Anthropologists, sociologists, scientists, psychologists, social scientists, mythologists, English professors each have different ways of defining and thus questioning myth. Some of the positions taken by this variety of interested scholars are:
• It is a story.
• It is a way that primitive people made sense of their worlds.
• It is a legend of something that happened and has been elevated to the status of myth (elevation to divine status is an apotheosis). This movement from “real event to myth or legend” is called Euhemeristic, after the Greek, Euhemerist, who believed that the stories told in ancient myths had actually happened centuries before.
• Myth is an example of primordial thinking. (Primordial meaning before logic, when thinking was mythological)
• Myth is in opposition to science. Myth is unscientific.
• Myth is akin to creationism.
• Myth is supported by science. (E.g. geologic evidence of a worldwide flood during the time of Noah of Biblical fame.)
• Mythology is dead in Western civilization. It is only connected to dead religions.

Selected (by me) writers on the function of myth:
J.G. Frazer (Golden Bough), classicist, anthropologist: myth is part of primitive religion and primitive religion is part of philosophy; primitive religion is the counterpart to science, opposite science (logical conclusion, once science rules, myth will vanish)

Lucien Levy-Bruhl, French philosopher, anthropologist, and creator of the phrase, “participation mystic”: “primitive thinking is “pre-logical”; he believes that,
“ . . . All phenomena [humans, human artifacts, creatures, the natural world] is part of the impersonal sacred ‘mystic’ realm that pervades the natural realm . . .”; “Participation in this mystic reality enables phenomena to affect one another magically and to become one another—yet retain their own characteristics . . .”;
L.-Bruhl writes that this is pre-logical because it defies the law of non-contradiction—in that something can be both itself and another; participation mystic is pre-logical, not scientific, and not philosophical (not logical)

Discussion point: Shamanism (Mircea Eliade is an excellent resource if you have interest in this topic. Carlos Castanada’s book, The Teaching of Don Juan, a Yaquii Way of Knowledge is also an excellent resource.)

Bronislaw Malinowski, anthropologist: argues that primitive peoples sought to control nature with ritual when their knowledge of science ran out; they have a basic understanding of science through their intense and discerning investigation of their habitat as hunters and gatherers; myth for Malinowski is about origins of place

Discussion point: Three categories of mythologies: cosmogonic (creation of the cosmos); cosmological (creation of the culture including place, institutions, etc); and theogonic (how deities came into being or awareness). Malinowski and Mircea Eliade both focused on cosmogonic myths.

Claude Levi-Strauss, French structural anthropologist: myth may be primitive but it is also intellectual; to understand the world around them, primitive peoples proceeded with observation, developed sophisticated knowledge, refined that knowledge through trial and error; L.-Strauss considered primitive thinking “concrete” versus modern “abstract thinking”; myth is no less scientific than science; it is part of the concrete, it is the part that is available to perception and imagination; L.-Strauss suggested naming the tribal peoples he was studying “people without writing” rather than call them primitives.

Karl Popper, born in Vienna, lived in the U.K., philosopher of science: scientific theories remain myth-like for they can never be proven.

Depth Psychological Perspective:

Def. of Myth: Myths never were but always are.

Erich Neumann, Israeli psychiatrist, philosopher: an “archetype is a mythological motif”; it is the eternally present content of the collective unconscious; as such this mythic motif can appear anywhere at any time [Greece, Egypt, Tibet, North America]
• An archetype is a dynamic directing force that influences the human psyche (unconscious)
• True object of inquiry is the symbolic self-representation of the archetype that has passed through the medium of man (Great Mother, p. 13)
• Archetypes of the collective unconscious are mythological motifs and appear among all people in an identical or analogous manner and can arise spontaneously without conscious knowledge.

C.G. Jung, Swiss psychiatrist, student and colleague of Freud: “Myth is the primordial language natural to these psychic processes, and no intellectual formulation comes anywhere near the richness and expressiveness of mythical imagery. Such processes deal with primordial images and these are best and most succinctly reproduced by figurative speech.” (metaphor, imagination)
(Source: C.G. Jung, Collected Works 12, p. 25.)

Note: primordial—pre-logical; mythic symbols contain both conscious and unconscious elements (E.g., consider the “O” logo for Oregon); mythic symbols unify opposites (E.g., the symbol of the Earth, also called Gaia, contains all life-giving capacity with no moral judgment regarding predators and prey)

Discussion point: Children go through stages like early humans; perceive the world mythologically; everything animate and inanimate has “life”;

“Ontogeny recapitulates phylogeny.” (Ontogeny, the development of the individual organism, mirrors phylogeny, the history of the development of the species.)

James Hillman, contemporary psychologist, philosopher: moves psychology out of the consulting room into the culture. Bases his theory, archetypal psychology, on C.G.Jung’s ideas, but claims that naming something archetypal allows one to use one’s imagination to explore in what ways that object/phenomena satisfies the experience of the archetype. Any image can be archetypal, when you reflect upon the phenomenon using your imagination to understand what makes the phenomenon archetypal. For Hillman, the archetypal image is the center. The image is all-important. (This does not mean a literal image; it can mean an idea that has not constellated into concrete examples. Or it can be an image, but if it is concrete, the task is to look beyond the concrete boundaries using your imagination. Once the image is concrete, it becomes static, and loses capacity to generate more knowledge/understanding.

Discussion point: The unconscious is as present as the conscious (all of the time). Unconscious material is revealed through myths; imaginative endeavors—art, music/lyrics, stories, other cultural means.

• In Western civilization, as consciousness increased and mythological thinking decreased we adopted: linearity and a historical perspective; nature as the subject of science; and our deities (Christianity, Judaism, Islam) moved to the sky.

Joseph Campbell, comparative mythologist: scholarship includes extensive exploration of world mythologies. See video of Campbell; discuss the Hero’s Journey.

Notes for Prof. Koranda’s Curiosity Class
A.Mawell

Essential to the subject of curiosity is learning about different ways we come to know or understand things. (In the subject area of Philosophy, epistemology is the study of the ways we go about knowing things and the ways we validate what we know.)

Most often what you know and what I know is based upon:
• Your own nature (your predisposition to specific preferences for gathering information—E.g., some of us prefer to survey a situation and understand what is going on through our intuition; others prefer to survey the same situation and learn what is happening through keen observation. These are the two extreme examples…they’re others in the middle.)

The relevant question today is: in what ways is myth a way of knowing?

Anthropologists, sociologists, scientists, psychologists, social scientists, mythologists, English professors each have different ways of defining and thus questioning myth. Some of the positions taken by this variety of interested scholars are:
• It is a story.
• It is a way that primitive people made sense of their worlds.
• It is a legend of something that happened and has been elevated to the status of myth (elevation to divine status is an apotheosis). This movement from “real event to myth or legend” is called Euhemeristic, after the Greek, Euhemerist, who believed that the stories told in ancient myths had actually happened centuries before.
• Myth is an example of primordial thinking. (Primordial meaning before logic, when thinking was mythological)
• Myth is in opposition to science. Myth is unscientific.
• Myth is akin to creationism.
• Myth is supported by science. (E.g. geologic evidence of a worldwide flood during the time of Noah of Biblical fame.)
• Mythology is dead in Western civilization. It is only connected to dead religions.

Selected (by me) writers on the function of myth:
J.G. Frazer (Golden Bough), classicist, anthropologist: myth is part of primitive religion and primitive religion is part of philosophy; primitive religion is the counterpart to science, opposite science (logical conclusion, once science rules, myth will vanish)

Lucien Levy-Bruhl, French philosopher, anthropologist, and creator of the phrase, “participation mystic”: “primitive thinking is “pre-logical”; he believes that,
“ . . . All phenomena [humans, human artifacts, creatures, the natural world] is part of the impersonal sacred ‘mystic’ realm that pervades the natural realm . . .”; “Participation in this mystic reality enables phenomena to affect one another magically and to become one another—yet retain their own characteristics . . .”;
L.-Bruhl writes that this is pre-logical because it defies the law of non-contradiction—in that something can be both itself and another; participation mystic is pre-logical, not scientific, and not philosophical (not logical)

Discussion point: Shamanism (Mircea Eliade is an excellent resource if you have interest in this topic. Carlos Castanada’s book, The Teaching of Don Juan, a Yaquii Way of Knowledge is also an excellent resource.)

Bronislaw Malinowski, anthropologist: argues that primitive peoples sought to control nature with ritual when their knowledge of science ran out; they have a basic understanding of science through their intense and discerning investigation of their habitat as hunters and gatherers; myth for Malinowski is about origins of place

Discussion point: Three categories of mythologies: cosmogonic (creation of the cosmos); cosmological (creation of the culture including place, institutions, etc); and theogonic (how deities came into being or awareness). Malinowski and Mircea Eliade both focused on cosmogonic myths.

Claude Levi-Strauss, French structural anthropologist: myth may be primitive but it is also intellectual; to understand the world around them, primitive peoples proceeded with observation, developed sophisticated knowledge, refined that knowledge through trial and error; L.-Strauss considered primitive thinking “concrete” versus modern “abstract thinking”; myth is no less scientific than science; it is part of the concrete, it is the part that is available to perception and imagination; L.-Strauss suggested naming the tribal peoples he was studying “people without writing” rather than call them primitives.

Karl Popper, born in Vienna, lived in the U.K., philosopher of science: scientific theories remain myth-like for they can never be proven.

Depth Psychological Perspective:

Def. of Myth: Myths never were but always are.

Erich Neumann, Israeli psychiatrist, philosopher: an “archetype is a mythological motif”; it is the eternally present content of the collective unconscious; as such this mythic motif can appear anywhere at any time [Greece, Egypt, Tibet, North America]
• An archetype is a dynamic directing force that influences the human psyche (unconscious)
• True object of inquiry is the symbolic self-representation of the archetype that has passed through the medium of man (Great Mother, p. 13)
• Archetypes of the collective unconscious are mythological motifs and appear among all people in an identical or analogous manner and can arise spontaneously without conscious knowledge.

C.G. Jung, Swiss psychiatrist, student and colleague of Freud: “Myth is the primordial language natural to these psychic processes, and no intellectual formulation comes anywhere near the richness and expressiveness of mythical imagery. Such processes deal with primordial images and these are best and most succinctly reproduced by figurative speech.” (metaphor, imagination)
(Source: C.G. Jung, Collected Works 12, p. 25.)

Note: primordial—pre-logical; mythic symbols contain both conscious and unconscious elements (E.g., consider the “O” logo for Oregon); mythic symbols unify opposites (E.g., the symbol of the Earth, also called Gaia, contains all life-giving capacity with no moral judgment regarding predators and prey)

Discussion point: Children go through stages like early humans; perceive the world mythologically; everything animate and inanimate has “life”;

“Ontogeny recapitulates phylogeny.” (Ontogeny, the development of the individual organism, mirrors phylogeny, the history of the development of the species.)

James Hillman, contemporary psychologist, philosopher: moves psychology out of the consulting room into the culture. Bases his theory, archetypal psychology, on C.G.Jung’s ideas, but claims that naming something archetypal allows one to use one’s imagination to explore in what ways that object/phenomena satisfies the experience of the archetype. Any image can be archetypal, when you reflect upon the phenomenon using your imagination to understand what makes the phenomenon archetypal. For Hillman, the archetypal image is the center. The image is all-important. (This does not mean a literal image; it can mean an idea that has not constellated into concrete examples. Or it can be an image, but if it is concrete, the task is to look beyond the concrete boundaries using your imagination. Once the image is concrete, it becomes static, and loses capacity to generate more knowledge/understanding.

Discussion point: The unconscious is as present as the conscious (all of the time). Unconscious material is revealed through myths; imaginative endeavors—art, music/lyrics, stories, other cultural means.

• In Western civilization, as consciousness increased and mythological thinking decreased we adopted: linearity and a historical perspective; nature as the subject of science; and our deities (Christianity, Judaism, Islam) moved to the sky.

Joseph Campbell, comparative mythologist: scholarship includes extensive exploration of world mythologies. See video of Campbell; discuss the Hero’s Journey.

Gods
Hermes – the great communicator, but also mischievous.
Athena – strategist and god of knowledge, born out of the head of Zues. Is also considered the god of the Hero's Journey.

Hero's Journey ala Luke Stywalker
Everyone is the hero of their own journey.
The development of the fetus can be considered a hero's journey. They evolve in the whom and struggle through the birth canal, then are born.

“We think he brain is in control; however it is the secondary organ.”


Some ideabooking ideas:
Dedicate a page to a Greek God.
Take a movie or story and point out its Hero's Journey (departure, initiation, and return)

Friday, January 9, 2009

archetypes




Myths are like a cultural map
we can start understanding society through repetition of myths
(i.e. Jolly Green Giant is linked to a fertility God)
These archetypes are not used to manipulate
the brand still has to deliver and truly be represented by the
archetype you are using.

Some examples:
1. Innocent: Sense of wonder (like a little kid), ideas of paradise, ads for vacation destinations, museum of Television and Radio (LA and NYC), Chicken Soup for the Soul books, Whole Foods, “Teach the World to Sing” Coca Cola ad, Tom Hanks and Meg Ryan in Sleepless in Seattle, Forest Gump, Ikea, Baskin Robins, Ronald McDonald.

2. Explorer: Trying to find a better world, desires to travel somewhere or be on the move, usually a solitary activity. Ford Explorer, Jeep, Huck Finn, Homer’s Odyssey, freelancers, stumble upon, channel surfing. (Side note: Starbucks is named after a character in Moby Dick – it is an explorer brand).

3. Sage: Someone that transmits knowledge. It can be anyone throughout history, or it can be someone current. Oprah (and her book club); Persephone (and her understanding of the underworld and the connection of ordinary life and death). Also there are sage organizations such as universities.

4. Hero: Singular journey triumphing over evil. Usually someone that sees things different or thinks differently. Oedipus, Hamlet, King Lear. A long time ago the post man was a hero. Now FedEx is a hero brand as are the Armed Forces, Green marketing and Nike (Nike and Apple are used too much as an example).

5. Outlaw: Romantic figures in literature such as Robin Hood and Lex Luther. Butch Cassidy and the Sundance kid, Bonnie and Clyde, the Godfather, Darth Vadar, Altamont (following the innocence of Woodstock). They have a positive and negative side. They are usually angry and victimize people. AKA Shadow Characters (Carl Jung’s term). Brands include Harley Davidson and Captain Morgan.

6. Magician: They can transmit knowledge, but they are different from the sage because they can transform something ordinary into something extraordinary. Harry Potter and Yoda, Hotels (Travelodge), Cruise lines (Carnival), Mastercard’s “Priceless” commercials, energizer bunny, ponsie scheme.
Spontaneous order: antithesis of chaos; people not crashing into each other on ice
rinks or during rush hour. Jung’s term: synchronisity

7. Every person/Regular person: We identify with and feel like we belong. Democracy, Seinfeld, The Dove Real Beauty Campaign. Basically brands that make friends with people, initial launch of Saturn, we all secretly want to belong and be accepted

8. Lover: Romance, intimacy, deep friendship (much deeper level of intimacy than every person), belonging. Cupid, Venus, Hallmark, Victoria Secret, Burger King

9. Jester: Trickster used to lighten things up. Shakespeare used these characters a lot. Advertising is a jesters’ career. Lots of jester stuff is male oriented (Budlight etc)

10. Caregiver: Selflessness and protection, moats, fences, police, Mother Theresa, Demeter (goddess of harvest), Florence Nightingale.

11. Creator: Artist or innovator, painter, chef, crayola crayons, legos, cooking shows, Sherwin WIliams Paint

12. Ruler: Leadership role, has control. Google and Microsoft.

Assignment Number 2: for Monday:
- find 5 off-brands (not Nike, Apple) fit into the categories on the handout which lists different archetypes. Write a few sentences supporting your category choice for each.

Saturday, January 3, 2009

holiday travel




as we all know, there's nothing like holiday travel in america. as i sat waiting in an airport on the initial snowy leg of my journey, i watched person after person walk by dragging bags on wheels for hours. and none of the women looked like the covers and the pictures in the majority of the magazines they were buying. no surprise there. but in retrospect, it's interesting that dove got so much attention for their campaign on natural beauty. rather, that kind of campaign might be the norm rather than the exception.
and ya gotta love the large door mat size red carpet by the gates. the red carpet line opens briefly for first class and premier, and then closes to the rest of the passengers who walk in next to the red carpet on the regular carpet. if the economy gets any worse, will it be embarrassing to take the 1 1/2 steps on the red carpet? it probably should be, if it isn't already embarrassing for the airlines.